Thursday, February 16, 2012

Research Book Shelf

The author of this book Crady Clay teaches you how to see a community as physical spaces .


Lucy Lippard provides examples of artist and community involvement in the landscape,
 providing insightful comment on the pitfalls and success of making pubic art. 



Dolores Hayden's book uses memory of place and history to  
show how to empower a community by preserving the past.

Supporting ideas and speaking points for "Post Discover", post card project


“In 1906 the fashionable Photo and Lithographed cards made Eastman Kodak enter the marketplace by making an affordable camera called the "Folding Pocket Camera".  The public was now able to take black and white photographs and have them printed right onto postcard backs.  More cameras of this type entered the market which then brought on the Real Photo Postcard era.” http://www.emotionscards.com/museum/historyofpostcards.htm



“Vernacular Photographs - Photographs taken by unknown and anonymous photographers without manipulation of the finished image whose happy accidents and successful failures resulted in surprising and tantalizing works of art.” http://www.emotionscards.com/museum/historyofpostcards.htm


Right from the start anyone with a camera could make a photographic post card. Rotary drum printing allowed mass printing, it is these cards that set up the standard subject matter that we have come to associate with post cards. Color predominates the postcard and is often over looked as it now seems so commonplace.

“Confirming America's love for high color and bright images and a new type of postcard, the color "Photo chrome" (called Chrome or Modern Chromes) appeared.  "Chrome" postcards started to take over the marketplace immediately after they were launched by the Union Oil Company.  Sold in their western service stations, they were easily produced, were of high photo quality and of most importance, they were in true living color!” http://www.emotionscards.com/museum/historyofpostcards.htm

The above research has provided me with two ways of looking at postcards historically; open subject matter of the vernacular, and color. This information has given me a foot hold for me to build upon and hopefully enough information for my professor's to understand my choices within this project.

Now I will guide you through what I intend to do and not do.

Photographic documentation:
First off subject matter is totally open, vast and varied with only the thought of making a documentation photograph. The photograph, may or may not be composed using the traditions of the standard postcard. I hope to make the viewer question my photographic motivation, thereby starting a dialogue. My intent is not to load the image with symbolism for the purposes of a deeper or layered meaning even if on occasional one appears. To serialize my photographs with symbol is not part of my concept. The mundane and the ordinary are my partners along with traditional/ historic postcard fare.


 On titles: Titles tend to load an image with unnecessary information, any preconceptions from verbiage would diminish the discover experience.
My photographic postcards come with a GPS location numbers not with titles. The GPS numbers are a means to make the card interactive. The intention is for the buyer to go beyond the image by navigating to the location.The photographic card is expanded in sight, sound and smell, in fact all the senses used in discovery.  It is after this experience that the image card becomes a souvenir of the experience. This is a reversal the traditional postcard process of purchasing as you exit the experience.


The printed card:
The front of the card is a photographic representation of something you may see at the given location. The image is meant to tease the viewer not provide an iconic representation. The space on the back of the card functions as a traditional postcard in that the card has room for an address and stamp. The message side is full of information and explains how to use the card. A small box at the top will indicated the GPS coordinate of the image location. A URL is provided for the "Post Discovery" on line gallery  and  Google Maps page. The Google Maps page will have all locations marked for any one without a GPS device. Finally a note urges the viewer to enjoy the journey of discovery.

My objective and concept is to engage the viewer through photographic image cards prompting interactivity and discovery. This one act performance is implemented through the historical print medium of the post card, updated with a touch of satellite positioning technology. To my knowledge this has never been done with the postcard.

 Speaking points for  “discovery though photography and postcard”

Show Eggelston’s Red Ceiling photo, question the external, the smell of a bar room, food cooking, music playing, people in room, hot or cold outside, so why is this photo so iconic if we know so little.

1.  A single image can tell you much about a time and place, but it also excludes all the other information surrounding it. It is all the other information that makes place memorable. The GPS enriched post card is yours for discovery.

2. Sense of place can also be defined as “the personality of location”

3. Sense of place includes sight, sound, smell, touch, temperature and taste, in fact all the sense enhance and ingrain memory.

4. Place stimulates visual memory, and memory is important to social history.
          
5. The photograph is a small selection of the surrounding fabric of place.

6.The photographic post card has been used primarily as an exit device, purchased after the visit of a place, used to support or relate experience and discovery.

7. My photographs are intended to be a front-end device encouraging you to get out and be part of the community of discovery.

8. The photos representing place may be traditionally composed or simply gestural studies. Think that to see a great master painting is to stand in awe, but to study the sketchbooks is to understand the thinking behind the painting and the individual. My photos are of my own journey of old and new places, that may be historic, absurd, poetic, abstract and mundane. My idea is to expand not narrow down to a singular way of teasing out discovery.

9.  My post cards do not carry titles; titles would interfere with the discovery process. The journey starts with a photograph image and the proverbial x marks the spot GPS coordinates

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10. GEO caching is a popular past time for campers/ hikers out-of-door types, usually a guest book is hidden in a sealed box for you to locate (with your hand held GPS device loaded with way points/box locations) as you experience the trail. Geo caching is much like what I offer with the enhance photo post card, with the exception that the destination choices are designed to increase your knowledge of community.

12. My research and own discovery have only been a positive experience, exciting spin off ideas have emerged that could potentially keep me busy for years.


The following information may be useful in designing an interactive map featuring images and image locations.

Google earth has a “Sight seeing tour” feature where you can upload your way points along with photos for other to go on your journeys, my photos would be purchased in print form with the GPS coordinates on the back of the card, designed to get you up and out on a path to making your own experiences.